The Vancouver-based studio redefined material luxury with their “In Good Company” collection, showcased within the walls of the former Baggio hospital
The 2026 edition of Milan Design Week has been full of surprises, and among the most talked-about protagonists was undoubtedly Marrimor at Alcova 2026. The Canadian duo, consisting of Tanja Breadner and Lauren Bugliarisi, transformed space S12 of the Edificio Stecca 8 into a microcosm of irreverent elegance.
Now in their third Milanese appearance, the studio confirmed its signature stylistic approach: a perfect balance between playful forms and rigorous compositional discipline.
Materials in Uncharted Roles: The Magic of “In Good Company”
The success of Marrimor at Alcova 2026 lies in their ability to assign new roles to familiar materials. Visitors were treated to pieces that challenge tactile perception:
- Concerto Console: Here, ceramic is not mere decoration but the load-bearing structure, reinterpreting an ancient material with a brutalist yet chic twist.
- P2 Coffee Table: Wrapped in leather with the precision of a glove, it redefines the concept of a rigid surface.
- Notch Sectional: A generous sofa that, thanks to unexpected geometric cuts, loses all visual heaviness.
The color palette, composed of saturated yet deep tones, created a dramatic atmosphere that perfectly complemented the decaying architecture of the Baggio military complex.
A Shared Vision: Marrimor’s Creative Process
Behind every piece exhibited by Marrimor at Alcova 2026 is a process of “creative collision.” The founders explain that ideas are often born from heated debate:”Sometimes we argue, sometimes we surprise each other, but in the end, a third idea emerges—one that neither of us could have reached alone.”
This intellectual tension translates into objects that are not merely furniture, but “characters” capable of inhabiting a room with a strong personality. The stated goal—which was successfully achieved—was not just to create functional objects, but moments of pause and wonder.
The Legacy of Design Week
The installation was the most complete expression of the studio’s evolution to date. The pieces in the “In Good Company” collection proved that collectible design can (and should) embrace humor and color without sacrificing sophistication. As the Milanese week draws to a close, the studio returns to Vancouver with the confirmation that their distinctive voice is now a staple on the international stage.
Ph Nathalie Krag
